A Fast Take: Limiting Command and Control in wargames - part 1

 

Josep Oliver, custodian of the exempilary wargaming blog, El desafío de las Águilas, has recently featured some guest posts by designer Fernando Sola Ramos entitled Mando y controlen los wargames (Command and Control in wargames). Full disclosure: I’m by no means a fluent Spanish reader, but online translation has come a long way from its early days; I wouldn’t rely on free online translation services if I was involved in trade negotiations, but the terms and rationales involved in a piece like this are familiar enough to grasp. Sr. Ramos’s article was brief but engaging and well-stated. Sr. Ramos identified six mechanical approaches that add an element of limitation to Command in Control (CiC), adding examples of use in a published game for five of them.*

I’ve been thinking about the problem of CiC in games for a while; about a year into posting A Fast Game, I wrote a short list of possible articles that would be interesting for both myself to write and visitors to read. Reflecting the limitations of Command in Control in wargames was near the top of that list, though I think I noted it in terms of “Fog of War”. I struggled to find an in-road to talking about this subject. In his article, Sr. Ramos approaches the question straight ahead – taking a half-dozen examples of how different game designers approached the limited intelligence question.**

Playing with perfect intelligence.

It is said that imitation is the sincerest form of flattery. Here I would like to use Sr. Ramos’s post as a launching point to look at some variations on his themes. But I want to make it clear that I’m only following a trail that has already been clearly marked. I’m just looking at more of the landscape.

Sr.  Ramos begins his consideration with a succinct appraisal (reproduced here because he said it better than I could):

Of the combat functions applicable to military operations, three are quite well executed in wargames: manoeuvre, fires, and logistical support. However, intelligence gathering (…) and command and control are often relegated to the background or completely forgotten.

Sr. Ramos broadly defines four essential methods used by designers of wargames to mimic Command in Control issues followed by the game or series he uses as an example):

- initiative rolls for activation (leaders or formations) – Napoleon at Bay: The Campaign in France, 1814 (Avalon Hill, 1978)

The MMP edition of Tetsuya Nakamura's A Victory Lost.

- chit-pull formation activation – A Victory Lost: Crisis in Ukraine 1942-1943 (Multi-Man Publishing, 2006)

- through shared orders with a limited "budget" of orders – Panzer: The Game of Small Unit Actions and Combined Arms Operations on the Eastern Front 1943-44 (GMT Games, 2012)

Fernando Sola Ramos's first published work, the France, 1940 expansion (GMT Games,
2019) for James Day's Panzer. Sr. Ramos is also responsible for
Panzer: North Africa (GMT Games,2024). 

- activation of armies using points in card-driven games (no single example given here, but I’m sure everyone has at least one game in mind from their own experience)

- leadership-distance chain of command (Great Battles of the American Civil War series).

Formation attacks in Normandy '44 (Photo courtesy of Takeo Ichikawa, BGG).

 - limiting attacks to command formations (i.e. disallowing or limiting ad hoc formations). Sr Ramos didn’t mention a particular example here, but visually implied Mark Simonitch’s “ZoC-Bond” family of games was a good example.

I can’t fault the rationale here – of course there will be cases that might seem to straddle more then one model here, but it’s a solid starting point for what I’ve been looking to discuss.

So, let’s look at these, one by one. I’ll follow the list as Sr. Ramos laid it out. I’ll break my examination down into more than one part, mostly because my clarity of thought is probably not as keen as my predecessor, and I’ll probably get myself stuck in the tall grass on some of these. For clarity, I’m going to refer throughout to the design strategies or choices listed above as “models”.

 

Initiative rolls for activation

As soon as I read the description of this model, my mind immediately went to the Men of Iron series (GMT), probably because I’ve been helping my brother-in-law to punch and sort his copy of the MoI Tri-Pack, (Second Printing (GMT Games, 2026), now that after some confusion, he’s finally received his Errata Pack). I think this might be the purest form of the model at hand.

Volume seven of the Men of Iron series, Ermine: Battles in the War of the
Breton Succession, 1341-1364 (GMT Games, ~2027), is currently available
for pre-order on GMT's P500 page.

Men of Iron doesn’t have a turn structure. Instead, the scenario dictates which side begins the hostilities, and they choose a formation to activate. Each (colour-coded) formation, or Battle (hereon a capitalised Battle will be referring to a formation, lower-case referring to the scenario situation), is headed by a Leader – usually a member of that country’s nobility, sometimes its monarch. The first activation is a “Free Activation”, but every activation for that side is subject to an activation role with a d10; to activate, the result must meet the Leader’s Activation Rating or lower to achieve activation.

Reign of confusion. Longbowmen are no match for mounted
Men at Arms - Agincourt scenario from the MoI Tri-Pack..

The roll for the next activation receives a +1 Dice Roll Modifier (DRM) to the result. If that activation succeeds, the next has a +2 modifier, and so on (this is called Continuity). After the first failed roll, the initiative passes to your opponent, who takes their first Free Activation, then rolls for their second. The non-active player also has the option to wrest the initiative from the active player; this action is called Seizing Continuity and involves drawing a chit from a cup to establish success or failure. Some of the scenarios in the series may only have three Battles to a side; if a side manages to activate all their Battles successfully, the first Battle activated may be activated again. This isn’t likely to happen with the escalating negative DRM – in my experience you’re far more likely to fail your third Activation Check – but it’s possible.  

All up, it’s a simple, elegant mechanism to reflect the manifold variables at play in a battle at this scale – pauses in the action, second-guessing and missed opportunities – and adds the dense of the degree of collapse in command direction that marked the battles of the Middle Ages and into the Early Modern period.

 

Chit-pull formation activation

I haven’t played any of what used to be called the “Red Box” series (the original Japanese releases were part of the shared-system Fierce Fight! series, which appeared in Game Journal magazine), so I can’t speak to those, but it’s formation activation by chit-pull is a mechanic that appears in a diverse range of tactical and operational games, from Ted Raicer’s Dark series to Hermann Luttmann’s Blind Swords and Black Swan† games (though in the latter the chits have been replaced by poker-sized cards).

A particularly short turn - just six activations.

One of my favourite implementations of this model is Christopher Moeller’s Brothers at War, 1862 (Compass Games, 2022). This is a brigade-level command tactical game, with regimental-sized units. As to be expected, a chit-pull activation system dictates which brigades are activated when, but there are some additional wrinkles to the model; also in the draw-cup are a number of Time markers (illustrated by a pocket-watch). As each chit is drawn, it’s placed on a chit track, which has some spaces marked with the same timepiece illustration. When two Time markers are drawn, the round ends, the cup is replenished, and the Turn marker is advanced.

Brothers at War is also a candidate for the leadership-distance chain of command model. 

A turn starts with one-or-two Time chits in the draw-mix, but each time the drawn chits reach a timepiece marked square on the chit track, another Time chit is added to the mix. This focuses the players’ attention on what they can do with each opportunity as it arrives. You need to keep your overall goals in mind as the game progresses, but you can’t count on your best units to be in exactly the right place at just the apt moment. The game requires the players to think on their feet and work within the parameters – or confines – of the available orders, without knowing what will be activated. I really like the challenge Brothers at War presents. And I’m pleased to share that, after a long wait, a second volume – Brothers at War, 1861 (Compass Games, ~2026) should be available later this year or early 2027.

-----

So, there’s the first part of my fast take on Fernando Sola Ramos’s CiC-limiting models. I’ll try to cover the remaining four models in Part 2, which I hope to post inside of a fortnight, but expect it when you see it.

I encourage you to share your thoughts in the comments. Let me know what  Command-in-Control models you prefer, or if you like to play your games in God-mode.

 

* I would encourage readers to go read this article themselves. If you open it in a Chrome browser it should offer to translate the text into your preferred language. You can find Sr. Ramos’s original article here. Sr. Oliver has since published two more pieces by Sr. Ramos, both well worth your time. In the most recent one he deals separately with the issue of Fog of War in games. I realise not conflating FoW with the limitations of CiC was probably what tripped me up in my own efforts to write about the subject.

** I call it a problem here. It’s obviously not a problem for some players – a few even resist any kind of limited intelligence in a wargame, and that’s cool – follow your bliss. But you’ll always be dipping into the shallow end of the pool, don’t try to tell me otherwise.

† For reasons known only to the arbiters of order at Boradgamegeek.com, the Black Swan series does not warrant its own series heading. But what would I know? Maybe it’s true that Black Swan games are really just “Blind Swords” games with the serial numbers filed off.

 

 

Stripped Down for Parts: 1809: Talavera (Fix Bayonets! Volume II)

 

 

Note: I wanted to acknowledge that A Fast Game been very quiet for the last month or so. I’m working on a longer piece which I think will be worth the wait, but I realised I needed to take time away from that to catch upon some of the other things that have been on my mind in terms of wargaming, both incoming games and recent reading, which will push back the project work an extra week or two but I think will help make it better in the long run (as I was beginning not get a little white-line fever dealing with just that).

 

1809: Talavera (Tactical Workshop, 2026) is the second in designer Frederic Delstanches' Fix Bayonets! series, the first technically being the second edition of 1811: Albuera (Tactical Workshop, 2025). The third has already been announced - 1806: Auerstädt (Tactical Workshop, ~2027 – you can sign up to be notified of the Gamefound campaign launch here). The box art exhibits the same trade dress as the previous volume, with an extract of a painting by Richard Simkin (of whom I have written previously), The 40th (2nd Somersetshire) Regiment of Foot clash with French infantry, Battle of Talavera, 1809 (c. 1900). The original painting is part of the permanent collection of the National Army Museum in Chelsea.

The box is of what we might think of as “standard size” (roughly 12” by 9”), about three inches in depth, and of solid construction. It needs to be to accommodate everything this game brings to the table.

Box-back.

The box back hints at what we’ll find inside, with a selection of unit counters and administrative markers reproduced to their actual size under map extract showing the town of Talavera, the scene of some of the hardest fighting during the battle. A few lines set the historical context of the battle – the combined British and Spanish forces under generals Wellesley and Cuesta respectively, holding the town of the Talavera and the adjacent hills for the night of the 27^th of July, and some verry hot fighting throughout the next day, finding on the 29^th that the French had retreated in the night, leaving hundreds of their wounded and a battery of cannon.

The play notes advise that the game can be played by one or two players (I think it wouldn’t be too difficult to play with three, dividing the Allied forces along national lines). There is no dedicated solo system for the game, but there aren’t any mechanics that should make it prohibitively difficult to play two-handed (in fact, I’d go so far to say this would be the best way to acclimate to the system coming to it cold). The game’s difficulty is described as Medium to Difficult, with which I would concur (I’d place the system at about a 7 out of 9 for crunch; maybe a 5.5 for the introductory scenarios).

The current Series Rulebook (version 2.7).

The rulebook has been slightly updated from 1811: Albuera – from version 2.4 in the earlier volume to version 2.7. Going over the two rounds of errata (available as PDF downloads here), most of the changes are clarifications to standing rules, with six additional rules introduced, four corrections to existing rules wording, and a dozen or so clarifications of standing instructions.

The rulebook itself is printed in full colour on a nice weight of low-gloss paper, formatted into a double-column in a ten- or eleven-point Garamond (both choices making for easier reading and comprehension) and usefully illustrated. Box-text is used liberally throughout; yellow background boxes highlight key takeaways regarding play (making it easier to home in on specific details at the table) while red text on a white background fills in various historical or design notes in reference to the preceding rule. The whole book is easily navigable, with a detailed Table of Contents (alas, no Index, but in it’s place is a helpful glossary of Definitions, beginning on page 51).             

Rulebook - sample spread.

The rules run to 49 pages; as I mentioned, that count includes a lot of illustrations and pictorial examples, and every effort has been made to make the rules easier to assimilate, but it can’t be denied, it’s a lot to absorb. The Fix Bayonets! system is not a difficult ruleset to understand, but it is a lot to master. If Talavera is your introduction to the system, there’s an introductory scenario that uses just infantry units. Unless you’ve cut your Napoleonic teeth on something like La Bataille, I recommend dipping your toe into the Fix Bayonets! system here (but we’ll come back to the scenarios shortly). I touched on some of the details of the series rules in my unboxing post of 1811: Albuera, so I won’t repeat myself here. Go read that as well, though I should warn you that Albuera is currently out of stock with the publisher..

The back cover offers a visual guide to interpreting the unit counters and markers used in the game Inside of the back cover is a summary of Leader Movement restrictions and a quick guide to handling the Leader cards. These would have been useful on a Player Aid Card of their own, but there’s already so much in the box, I understand not committing to this extra expense (and weight, however slight). I can see some photocopying of these pages in my future. A short bibliography (twenty citations) is also included, which I always find helpful. I’m pleased to note, nearly all of the books cited are in English and many are available at a reasonable price, if you’re looking to extend your Napoleonic library.

The Battle Booklet, offering special rules, scenerios, and fascinating historical glimpses.

The 1809: Talavera Battle Booklet is twenty-four pages in length and materially shares the same qualities as the rulebook. It offers a brief historical background piece, rules for unique terrain types (olive groves and city walls), a rundown of the opposing forces, and historical notes covering the Orders of Battle for the three armies, with particular attention paid to the divisional uniforms.

Battle Booklet - sample spread.

The Battle Booklet also offers five scenarios, running in scope from the aforementioned Night Attack, which plays out in a fourteen hex-length area, twelve rows deep, enough to get a feel for the manoeuvre and combat rules without having to master the artillery rules, to the whole Two Days of Battle. The first two scenarios, The Night Attack and The Morning Assault, play out on a single board; the game is a bit of a space hog, so these will let you get to know the nuances of the game before you commit to clearing the whole dinner table. The remaining three scenarios – A Bloody Afternoon, The Full Day (covering the scope of the action of the 28^th), and The Two Days of Battle – require the full, substantial board, which we will get to next.

The South board, with Talavera and the Targus in the top left corner (the flags
at the bottom edge mark the French approaches).

The contested terrain of Talavera is represented over two map-boards that meet along a short edge, presenting a long front for the antagonists, roughly defined by the Portina brook that roughly bisects the length of the . The map runs north from the town of Talavera on the Rio Targus and extends north to the hills anchoring the British flank. The scale is roughly 120 meters (130 yards) to a hex, and elevation changes are approximately ten meters (30 feet).

The North board, depicting the area that saw most of the British action. The two smaller
scenarios are played on this half of the map.

The terrain is clear (no pun intended) and readable, generally not up for debate. The line-of-sight rules make sense in context of the map, though I’m sure the wilful will find something to argue about. I can’t say in good conscience that these are my favourite tactical Napoleonic maps – I think Sébastien Brunel’s exquisite work on Hexasim’s Eagles of France games still take that honour – but they are perfectly fit for purpose and by no means distracting, which is what you need from a game map.

Counter-sheet 1.

Counter-sheet 2.

Counter-sheet 3.

Counter-sheet 4.

Counter-sheet 5.

Counter-sheet 6.

The unit counters are one of the points where the Fix Bayonets! system really pops. The counters are large (about 3/4”) and beautifully presented, with accurate uniforms and readable digits in, in spite of the saturation of information incorporated into each unit. I mentioned the historical notes covering various divisions represented in the battle in the Battle Booklet. Each division’s distinct uniform is presented in the historical notes, and these are reflected I the unit counters. Each unit features its command affiliation (division) and Regiment/battalion, digits representing the unit’s steps, Fire and Skirmish (melee) values, a TEM score (and number broadly representing the unit’s Training, Experience and Morale going into the battle, a red number will indicate poor training), and the unit’s Movement Factor. Cavalry units are marked with the presence of a horse’s head to the left of the figure, and of course don’t feature Fire quotient. Artillery units have an above view of a cannon on their unlimbered side.

All the units and markers are pre-rounded and punch out pretty cleanly. The plethora of administrative markers suggest a business to the play that is misleading. most of the board-bound markers are mnemonic devices to remind the players of a given unit's current actions, which may need to be responded to or played out, and will not clutter the board beyond the turn. Disordered/Suppressed and in Square markers are cut smaller as to not obscure the unit below, and the elongated Charge and Column and Road Column markers have their game effect values printed on them. The design of every marker has been considered and streamlined into the best version of itself.

Player Aid Card - the outside panel.

The game comes with two duplicate Players Aid Cards. These are bi-fold (two-panel) 11” by 17” cards. On the outer wrap, you’ll find all the necessary martial charts and tables; Fire Combat Procedure and Modifiers, Melee CRT and modifiers, a Special Results Table, Leader Casualty table, and (even) a Spiked Guns Table. 

Player Aid Card - inside the fold.

Inside the fold offers a brief a Summary of Game Effects on units, Sequence of Play – and separate Assault Phase and Charge Segment Sequences – a table of TEM (Tactics, Experience and Morale) Modifiers, Stacking limits (by total Strength Points), a Fatigue Reduction Table, and a Weather & Time of Day Effects Table. God is in the details in the Fix Bayonets! system.

French Army Order of Battle.

Where the confluence of research and production shine brightest is the counters and, by extension, the Order of Battle Boards for the three armies. The OoBs present each army in their command breakdown, delineating the command structure and divisional groupings of the brigades, regiments and batteries.

Spanish Army Order of Battle.

British Army Order of Battle.

Most infantry and cavalry units have three or four steps before they become unviable as a fighting force, which means these units have multiple representative counters. The OoB sheets should be used for hosting the currently unuse counter for each multi-counter unit to negate the need for scrabbling through marker-piles mid-game. This will add to the game’s table footprint but will save a lot of headaches during play.

The Turn and Tracks card.

All the game-related functions are monitored on the charmingly named Turn and Tracks card. Rather than numbered turns, each scenario is tracked by time elapsed. This is tracked on the Game Turn Clock, a clock-face dial in the centre of the card with the outside round numbered somewhat like a real clock, and the inside circle divided into fifteen-minute intervals (the duration of a game turn). There are two clock-hand markers to register the passing of hours and minutes in the game. There are designated spaces for markers denoting morning or afternoon (AM/PM), Weather, and which side holds the initiative.

There are separate tracks for the overall cohesion of the three armies, and another to track fatigue of various formations. Spaces are delineated for the Special Events Draw Pile, the current Activation Stack and the Activated Order Pile, and Out of Play cards (to avoid confusion). Separate holding boxes are also provided for Routed French and Allied units, and for French units located at the Casa de Salinas (this represents an off-map position holding the French Reserve force and some of the Armée’s senior leaders at the beginning of some scenarios.

Card backs.

In Fix Bayonets! games, formations are ordered by their leaders, which are represented on small European-sized cards. I’m not going to get into the tall grass here, but each turn, the Activation Deck is built from the two side’s leader Activation Cards through a kind of bidding system, and these will dictate which leaders and formations get to activate in  that turn. I’ll go into this more deeply when I get to writing up an AAR of either Talavera or Albuera, but suffice to say, this is one of the hallmarks of the Fix Bayonets! system.

Sample Leader cards (top row) and Special Action Cards.

The cards look quite nice. Where possible, an actual portrait of the officer in question has been used in the representation; otherwise, a uniform character similar to those used on the counters has been incorporated. Every card also features the Leader’s name at the top against their command’s colour stripe, their numerical Command Rating just below this on the left, and an image of the leader’s corresponding counter. Senior leaders may command multiple formations; this is reflected in a note at the base of their card.

Along with the Leader decks a small deck of Special Events is also provided. The Special Event cards allow the holding player a small advantage in a given situation. Most are for general use, while a couple have different benefits depending on the side playing the card. After they are played, the cards are discarded.

There is one unique card in the Talavera game. Many will be familiar with Bernard Cornwall’s Sharpe novels or the television movie series that sprang from them. The climax of Sharp’s Eagle is set during the battle of Talavera, the eponymous Sharpe manages to capture a French Eagle, to clear a debt of honour (in reality, the 95^th Rifles – despite their best efforts, having marched over forty miles inside of twenty-four hours – just missed the action, arriving on the morning of the 29^th). To commemorate this favoured fictional event, a special Special Event card has been included. The Sharpe’s Eagle card may be held by the Allied player to play during a defensive melee action, just once, to potentially turn the tide of an otherwise disastrous result. This is a small thing, but it is very much indicative of both the design philosophy and the spirit of the game.

Box and dice (and cards as shipped).

Finally, two dice – d10s, one red, one blue – are included with the game. These are very nice; a good weight that seem to roll quite well. I’m sure they will prove to be fickle at the table, facing an opponent, but that is in the future.

As mentioned, the box is of solid construction with a firm closure but not so much that the lid is difficult to remove. My copy suffered some ever so slight dishing of the top, but no corners were harmed, and with the extremely reasonable surface shipping charge, I cannot complain.

Blog Note: a recent arrival

  

I’ve been a little quiet on A Fast Game of late due to a combination of circumstances; my wife’s aunt and uncle are over from England at the moment, visiting, and I’ve been working on a longer piece that’s soaking up most of my remaining free time. But I wanted to go on record with a thank you to BonSai Games’ Yasushi Nakaguro for a copy of the latest issue of that publisher’s latest house magazine, Bansai 30. Each copy of Bansai comes with a complete game (complete as in rulebook, map (or maps), charts and tables, and very nice counters – no dice, of course), and issue 30 is no exception, with Andrea Brusati’s Operazione C3 (Aleph Game Studio, 2024), first featured in Italian wargame magazine, Parabellum (first published by Acies Edizioni and Europa Simulazioni, and since 2022 by Aleph Game Studio). Now I just need to find an English-language copy of the rules and charts.

Along with the game and a host of articles and reviews (all in Japanese, of course), the interview with Brian Train (translated by Mr Nakaguro) as featured in A Fast Game back in April of this year. I’m honoured and quite chuffed that somebody thinks anything that makes it to A Fast Game is worth introducing to a wider audience, and this marks the second time something from the blog has made it into Bansai (you can read about the other time here).

I’d also like to offer an apology for the drop in posting frequency of late. I am making efforts to turn this around, though this will probably be restricted to unboxings and the odd blog note for another few weeks at least. Please bear with me, and check in often.

 

 

Stripped Down for Parts: La Bataille de Hanau (Vive l’Empereur series)

 

 

The last fortnight or so has been a perfect storm of arrivals. Seven games arriving this quarter, and two more in transit, and we’re not half-way through August. But right now, I want to focus on one of these, because it’s something I’ve been anticipating grabbing for a while, and when the opportunity arose, I couldn’t not get it.

Legion Wargames had a sale recently, with a number of excellent titles being offered for significant discounts. I would have liked to take the opportunity to fill a couple of perceived gaps in my collection – Dien Bien Phu: the Final Gamble (Legion Wargames, 2016) and Nemesis: Burma, 1944 (Legion Wargames, 2018), among others – but alas, the budget would only stretch to a single game this time, so it had to be La Bataille de Hanau (Legion Wargames, 2021), the tenth and most recent addition to Didier Rouy’s Vive l’Empereur! series.*

Like a lot of the Legion games I already own, La Bataille de Hanau comes in a light but well-constructed box. Light is good, because it meant the postage cost to Australia was only US$20.00, which matched the (discounted) cost of the game. In all, game and freight set me back a shade over A$60.00, which is about half of what I'd expect to be paying at a FLGS, assuming I could even find a copy. One happy customer.

The cover features a painting, Charge of the Grenadiers-à-Cheval of the Imperial Guard, battle of Hanau,1813 by Richard Knötel, a German artist best known for his Uniformenkunde, an exhaustive visual study of European military uniforms over three centuries to 1914, but who was also an accomplished painter of military scenes.

Box back

The box back presents most of the map, along with a brief historical consideration of the situation presented and a visual guide to how the unit and leader counters function in game.  The Vive l’Empereur! series presents a smaller formation focus than many Napoleonic systems, with the Regiment being the essential building block of the game. Each strength point represents around 300 men, and the map-scale is 250 meters to a hex (so roughly 6 ½ hexes make up a mile). Turns represent 30 minutes, and we are warned that the game can take between two and eight hours to play through to completion.

The play guide suggests the game's complexity is about Medium, and sets the Solitaire Suitability at Medium-High. I think I'd agree with both of these appraisals. While I think the Vive l'Empereur! rules make for a better two-player experience, I can't see anybody experiencing particular difficulties double-handing the game, especially with the reduced scope of the Hanau situation.

The Rulebook. Napoleon salutes you, brave soldier.

The Vive l’Empereur series rules are printed in full colour on a medium-weight, low-gloss paper stock, and runs to forty pages. Of these, the front and back covers are illustrated with extracts from the left (front) and right (back) of the painting, Napoleon saluting the 12th Cuirassier regiment, by Ernest Meissonier (1815–1891).

Rulebook - sample spread.

The rules have been honed over the nine previous publications, and the current configuration presented here is version 3.3 (June 2020). The booklet is set out in a readable is divided into Standard and Advanced rules. The Standard Rules run to roughly 23 pages (a column on the first page offers a clear Table of Contents, and the rules are sensibly set out and quite navigable). The designer recommends mastering the Standard rules before embarking on incorporating the any or all of the Advanced rules. The Advanced rules are designed to introduce more “realism” into the action, with rules for the stratification of command and control, strategic deployment, and the introduction of time limits (with penalties for tardiness).

The four-page Special Rules brochure.

The Special Rules included for Hanau are more of a brochure, a mere four pages long; in reality, just two and a half pages pertaining to game play. Two scenarios are on offer; the initial action on October 30^th, and Wrede’s follow-up attack on the 31^st. The special rules amount to barely a page and a half, to there is very little extra load to bring to the essential game rules. Rules-wise, Hanau should run as a fairly clean game, though if history is anything to go by, the play will undoubtedly become heated.

The map of Hanau and its environs.

The game map is a standard 22" by 34"  in size, printed on a a descent weight of gloss paper, and is truly a thing of beauty. This is a feature of all the Legion-released Vive l’Empereur games, which are all rendered by one of my favourite game artists, Charlie Kibler. The colour-palette is subdued, cast in autumnal tones appropriate for an October battle. Features are clear without being obtrusive, and the overall appearance highlights the units in play. But the detail I really love it that every feature is presented in a perspective view oriented toward the bottom of the map-sheet. Each tree, bridge and building appears to possess height. While the roads, rivers and creeks appear flat, this is relieved by the aligning trees dotted along the banks and roadsides. It’s conceit that fits well with the subject and the era.

Hanau comes with just a single counter sheet (165 counters in all). The units are split slightly in favour of the French (fifty units to forty Austrian units). Historically the battle of Hanau didn’t end well for Wrede the Austrians. Given the Austrians are on the defensive, this should be a fairly even match for two players at roughly the same level.

The counters are all elongated, 1” by 1/2”. So far as I’m aware, the Vive l’Empereur! games were the first to present their unit counters in Line on one side and in March Column on the other, with artillery batteries either limbered for movement or unlimbered for business (of course, this is getting a broader showing with Mark Herman’s Civil War Heritage series). The remainder of the counters represent Leaders, various administrative aids and mnemonic reminders of the status of affected units in play.

Unit Explainer and Terrain Key card.

Terrain Effects Chart.

The game comes with a selection of Player’s Aid Cards, each single sided. The first is a Key card; the top portion has a visual explainer of how to read the unit and Leader counters, the larger lower portion presents an enlarged Terrain Key demonstrating (and showing off) the various terrain features of the map. This is separate to the Terrain Effects Chart (the second chart), a matrix listing the varying terrain types by name and indicating their effects or limitations on in-game actions of units.

Aide de jeu pour le combat

There are two copies of the Combat Resolution PAC included in the game. These present the Fire and Melee Tables as well as a Formation Table. The Fire and Melee Tables are fairly self-explanatory; a Fire attack is based on a single die roll with modifiers (as applicable), against the Fire strength of the attacking unit. The success a Melee attack relies again on a modified die roll indexed to the ratio of Attacker to Defender melee points. Combat is potentially brutal, but, as in most things, fortune favours the well-prepared.

The Formation Table is a one-stop shop covering the basics of movement, manoeuvre, and combat for each kind of unit fielded in the game. Everything presented here will probably become second nature after a handful of games with the system, but it’s nice to see it easy to hand for newbies.

The crucial Formation Tables for tracking losses on each side's units, and a Turn Track at
the bottom. I think this card is dry-erasable, but I'd be inclined to either make copies
to use or to put the card in a stiff plastic slick and write on that instead. 

The last Player Aid Card is the most crucial, for this offers both the tracking of cohesion loss of the units, and the Turn Track for keeping track of how long you have before loss of light brings the bellicosity to a close. I like how points loss is tracked off map; Steve Ruwe offered this as an option in his game, The Late Unpleasantness: Two Campaigns to Take Richmond (Compass Games, 2019). Here it also serves as a handy reminder of which units fall under whose command. The only difficulty that might arise comes from having both armies on a single tracking sheet, but this may be a bonus for teaching new players the system; either the mentor can keep score for both, or guide the initiate in the practice. 

Box, dice and baggies.. And the ubiquitous blue paper sheet.

Finally, the game comes with two dice, one lobster red, one uniform bleu, and a couple of zip-loc bags with which to separate the warring formations. Also, Legion always – or nearly always – packs their games with a sheet of blue typewriter paper in the bottom of the box. I don’t know why. I suspect it may be to prevent wear from the map rubbing against the bottom of the box when in transit, but I can’t say with any certainty. If anyone does know, please leave a comment.

-----

Writing up this unboxing has reminded me that I never got around to posting an unboxing of my other Vive l'Empereur! volume, Quatre Batailles en Espagne (Legion Wargames, 2015). I'm pretty sure I still have all the component photographs filed somewhere from when the game first arrived, so I may have to do an exposition of that volume as well. 

I'm keen to get to playing Vive l’Empereur!, but I have been waiting for Hanau to have a more manageable starting point for introducing others to the game. I really think it offers that; not necessarily a short game, but one with less unwieldy forces and command structures, in a more constrained area.

 

* I had cause to correspond with M. Rouy recently, and he mentioned that Volume 11 in the series, La Bataille de Wargram (Legion Games, ~2026), should be released either this year or early in the next, which gives us all something else to look forward to.